Live Sound Production
Audio Engineering
Concerts/Festivals
My mixing philosophy is simple– at each show, I work for every person in attendance: the artist(s), the venue, and every audience member. Although I have a methodical approach,
I love experimenting with outside-the-box techniques.
There will never be an artist's suggestion I won't try.
Past Work
FOH: Pan Arcadia, Theaster Gates, Black Coffee, Knock2
Monitors: Of Monsters & Men, Irma Thomas, Meshell Ndegeocello
Festivals: Electric Zoo, Tribeca Film Festival, Forever Grateful
FOH Tech: Alanis Morissette, Tiesto, Tedeschi Trucks Band
Consoles: DiGiCo, Avid, Yamaha, A&H, SSL, Midas
Dante certified
Wireless Workbench certified


Corporate
These shows require a whole host of different skill sets. They can often be in large spaces using lavalier microphones, which are notoriously difficult to control. There's also many moving parts, all of which demand flawless execution. Having worked countless corporate conferences over the years, I have a proven track record of navigating these challenges.
Clients
Michael Andrews AV, 4Wall, TAG, SDN Broadcast
Past Work
Porsche, YouTube, JP Morgan Chase, CNN, Pepsi, American Express, NY Times, Bank of America, AdWeek, Morgan Stanley, Women’s Health Magazine, G100, Nike, Merrill Lynch, iHeartRadio
Live Broadcast
Because of the variety of listening environments this mix will be played in, there needs to be special consideration in regards to output level, dynamics control, EQ, background noise, and more. My experience in the recorded music world has contributed greatly to this realm, particularly my experience mixing and mastering. Furthermore, my clients have come to expect unbroken focus with a sense of urgency– In this arena, there is zero room for error.
Past Work
Nike, Bloomberg, TheSushiDragon, Ford Foundation


Live Recording
This role requires expertise in networked audio, DAWs, gain staging, and more to reliably capture a live performance. Preparing for success is the name of the game– There are no do-overs at concerts. Whenever I'm hired as a Live Recording Engineer, I always utilize backups and will use my own trusted devices if no redundant systems are provided.
Past Work
The Chainsmokers, Andrea Bocelli, Black Coffee
Gear
2x Macbook Pros
Universal Audio Apollo Twin
SSL Big SiX
DAWs: Pro Tools (certified), Logic Pro, Reaper
Dante Virtual Soundcard license on all devices

Focused, punctual, and intuitive audio engineer
with over a decade of experience
in every facet of live audio production
Delivering aural excellence across the industry
with a professionally exceptional attitude



