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Live Sound Production

Audio Engineering

Concerts/Festivals

My mixing philosophy is simple– at each show, I work for every person in attendance: the artist(s), the venue, and every audience member. Although I have a methodical approach,

I love experimenting with outside-the-box techniques.

There will never be an artist's suggestion I won't try.

Past Work

FOH:             Pan Arcadia, Theaster Gates, Black Coffee, Knock2

Monitors:    Of Monsters & Men, Irma Thomas, Meshell Ndegeocello

Festivals:    Electric Zoo, Tribeca Film Festival, Forever Grateful
FOH Tech:   Alanis Morissette, Tiesto, Tedeschi Trucks Band

 

Consoles: DiGiCo, Avid, Yamaha, A&H, SSL, Midas

Dante certified

Wireless Workbench certified

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Corporate

These shows require a whole host of different skill sets. They can often be in large spaces using lavalier microphones, which are notoriously difficult to control. There's also many moving parts, all of which demand flawless execution.  Having worked countless corporate conferences over the years, I have a proven track record of navigating these challenges.

Clients

Michael Andrews AV, 4Wall, TAG, SDN Broadcast

Past Work

Porsche, YouTube, JP Morgan Chase, CNN, Pepsi, American Express, NY Times, Bank of America, AdWeek, Morgan Stanley, Women’s Health Magazine, G100, Nike, Merrill Lynch, iHeartRadio


 

Live Broadcast

Because of the variety of listening environments this mix will be played in, there needs to be special consideration in regards to output level, dynamics control, EQ, background noise, and more. My experience in the recorded music world has contributed greatly to this realm, particularly my experience mixing and mastering. Furthermore, my clients have come to expect unbroken focus with a sense of urgency– In this arena, there is zero room for error.

Past Work

Nike, Bloomberg, TheSushiDragon, Ford Foundation

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Live Recording

This role requires expertise in networked audio, DAWs, gain staging, and more to reliably capture a live performance. Preparing for success is the name of the game– There are no do-overs at concerts. Whenever I'm hired as a Live Recording Engineer, I always utilize backups and will use my own trusted devices if no redundant systems are provided. 

Past Work

The Chainsmokers, Andrea Bocelli, Black Coffee

Gear

2x Macbook Pros

Universal Audio Apollo Twin

SSL Big SiX

DAWs: Pro Tools (certified), Logic Pro, Reaper

Dante Virtual Soundcard license on all devices
 

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Focused, punctual, and intuitive audio engineer

with over a decade of experience

in every facet of live audio production

                             
 

Delivering aural excellence across the industry 

with a professionally exceptional attitude

Contact

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Copyright © 2023Daniel L. Fisher. All rights reserved.

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